Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.  Related Paintings of Bartolome Esteban Murillo :. | Virgin Mary and the Santo Domingo | San Diye Ke Shi poor people do not | Grapes and melon eater | Our Lady of the Immaculate Conception | 3 boys |
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Italian Early Renaissance Painter, active 1484-ca.1526, was an Italian painter. Also known as Giovanni Mansueti. Known by a few paintings. Little is known of his biography. He was active in Venice from 1485 to 1526. Pupil of Gentile Bellini and worked in the antique style in the Miracles of the Cross painted in 1494- c. 1502 for the Scuola di san Giovanni Evangelista and now in the Gallerie dell'Accademia. In style he resembles Cima da Conegliano and Vittore Carpaccio. One of his paintings resides in a church near Bagni di Luca, Italy.